{"id":11575,"date":"2026-07-06T08:40:28","date_gmt":"2026-07-06T06:40:28","guid":{"rendered":"https:\/\/pragueartweek.cz\/?p=11575"},"modified":"2026-07-04T14:30:25","modified_gmt":"2026-07-04T12:30:25","slug":"paw-tip04-july-exhibitions-in-prague-contemporary-painting-in-its-various-forms","status":"publish","type":"post","link":"https:\/\/pragueartweek.cz\/en\/news\/paw-tip04-july-exhibitions-in-prague-contemporary-painting-in-its-various-forms\/","title":{"rendered":"PAW TIP#04: July Exhibitions in Prague: Contemporary Painting in Its Various Forms"},"content":{"rendered":"

Clauda<\/span><\/a>
\nOlga Krykun: Stardust for Tomorrow<\/span>
\n<\/span>20. 6. \u2013 18. 7. 2026<\/span>
\n<\/span><\/h3>\n

In the exhibition Stardust for Tomorrow<\/em>, Olga Krykun works with a visual language that at first glance appears nostalgic, fragile, and almost defenceless. Glittering flowers, girls\u2019 faces, fluffy dogs, and decorative motifs, however, are not merely a play with kawaii aesthetics and the language of popular culture. Beneath their surface unfolds an experience of war, loss, and uncertainty, which fundamentally transforms the way these images are read. Krykun draws, among other things, on memories of the 1990s in Ukraine and on the environment of a souvenir shop, whose products circulate across different geographies, from Odesa to China. In her work, the world of cheap decorations, kitsch objects, and globalized images becomes material for uncovering political layers. Cuteness here functions as a tool that makes it possible to speak about pain in another language \u2014 through fragility and apparent innocence. The flowers in her paintings may become signs of celebration, remembrance, and grief. The exhibition thus reveals how closely tenderness and pain can coexist.<\/p>\n

KodlContemporary<\/span><\/a>
\nit\u2019s giving real<\/span>
\n<\/span>16. 6. \u2013 23. 8. 2026<\/span>
\n<\/span>Artists: Sarah Bechter, V\u00e1clav Bo\u0161t\u00edk, Arvida Bystr\u00f6m, Hugo Canoilas, Natacha Donz\u00e9, Jan Kostohryz, Tade\u00e1\u0161 Podrack\u00fd, Gabriela T\u011bthalov\u00e1, Kristian Touborg<\/span>
\n<\/span><\/h3>\n

The group exhibition it\u2019s giving real<\/em> focuses on the current condition of the image and on how our ability to distinguish between reality, fiction, and representation is changing. Today\u2019s visual culture is saturated with images that often drift away from their original referents and begin to function independently \u2014 as signs, atmospheres, projections, or constructions of credibility. The exhibition approaches the image not only as something we look at, but as an active force that co-shapes our understanding of the world. The participating artists move between painting, object, body, environment, and digitally conditioned experience. They open up questions of how meaning is produced, whom or what we trust, and which cultural habits influence our ways of seeing. The dialogue between contemporary positions and the work of V\u00e1clav Bo\u0161t\u00edk also reminds us that the uncertainty of the image is not merely a symptom of the digital age. Questions of vision, orientation, and the relationship between image and reality have repeatedly returned in art across different historical situations.<\/p>\n

HIDDEN Bo\u0159ivojova<\/a>
\nDora Hlinkov\u00e1: \u010cury Mury Fuk
\n7. 7. \u2013 5. 9. 2026, Opening: 7. 7. 2026, 18:00<\/h3>\n

On 7 July, HIDDEN Bo\u0159ivojova will open \u010cury Mury Fuk<\/em>, a solo exhibition by Dora Hlinkov\u00e1. Hlinkov\u00e1 works as a collector of small situations. Instead of grand events and clear narratives, she follows fragments that remain in memory precisely because of their quiet, unobtrusive nature. Her paintings grow out of walks, campfires, swimming in rivers, cooking together, or quiet moments that gradually acquire an inner significance. \u010cury Mury Fuk<\/em> presents painting as a way of preserving the emotional density of experience. Recurring motifs of fires, rivers, forests, animals, or shared meals appear as places where relationships, closeness, and time spent with others become concentrated. Hlinkov\u00e1 composes a map of situations that may have seemed ordinary, but retrospectively reveal themselves as carriers of meaning.<\/p>\n

C12 Gallery<\/span><\/a>
\nMichal Synek: Afterimage<\/span>
\n<\/span>17. 6. \u2013 24. 7. 2026<\/span><\/h3>\n

The exhibition Afterimage<\/em> presents the recent work of Michal Synek, in which the image becomes a record of movement, concentration, and layered memory. The exhibition title refers to the phenomenon of the afterimage \u2014 a visual trace that persists after the original stimulus has disappeared. This state between presence and echo is central to Synek\u2019s painting. The artist works with gesture as a carrier of time. In his work, the painted surface does not appear as a firmly closed composition, but rather as a space in which residues of movement, rhythm, and inner experience are captured. His abstract paintings therefore speak not only of the moment of their creation, but also of what preceded it and what remains after it. The exhibition touches on themes of memory, a personal return to artistic practice, and the invisible connections that shape our experience.<\/p>\n

HYB4 Galerie<\/span><\/a>
\nJan Vytiska: The village you really shouldn\u2019t have gone to<\/span>
\n<\/span>12. 6. \u2013 29. 8. 2026<\/span>
\n<\/span>Curator: Michal \u0160tochl<\/span>
\n<\/span><\/h3>\n

In the exhibition The village you really shouldn\u2019t have gone to<\/em>, Jan Vytiska presents a painterly world that draws on folklore, folk tales, and rural imagination while avoiding nostalgia. In his work, traditional motifs transform into a contemporary mythology in which familiar environments become strange, restless, and often unsettlingly alive. Vytiska\u2019s paintings are inhabited by beings on the threshold between humans, animals, masks, and mythical figures. For the artist, landscape becomes a psychological space in which rituals, encounters, and ambiguous stories unfold. Detail plays a distinctive role \u2014 ornament, decoration, textile, color structure, and small symbols give the paintings their layered quality. The exhibition presents Vytiska\u2019s work as a place between tradition and its contemporary reinterpretation, between irony and seriousness, between fairy tale and nightmare. It is an entry into a village that feels familiar, yet from the very beginning it is clear that the rules of the ordinary world do not quite apply there.<\/p>\n","protected":false},"excerpt":{"rendered":"

Clauda Olga Krykun: Stardust for Tomorrow 20. 6. \u2013 18. 7. 2026 In the exhibition Stardust for Tomorrow, Olga Krykun works with a visual language that at first glance appears nostalgic, fragile, and almost defenceless. Glittering flowers, girls\u2019 faces, fluffy dogs, and decorative motifs, however, are not merely a play with kawaii aesthetics and the… View Article<\/a><\/p>\n","protected":false},"author":6,"featured_media":11566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[282],"tags":[],"class_list":["post-11575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","wpautop"],"acf":{"photo_gallery":{"prispevek_galerie":[[{"id":11570,"title":"9B3A0575_web_clauda","caption":"","full_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2026\/07\/9B3A0575_web_clauda.jpg","thumbnail_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2026\/07\/9B3A0575_web_clauda-450x300.jpg","large_srcset":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2026\/07\/9B3A0575_web_clauda-1800x1200.jpg 1800w, 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