{"id":9372,"date":"2025-06-11T16:40:28","date_gmt":"2025-06-11T14:40:28","guid":{"rendered":"https:\/\/pragueartweek.cz\/?p=9372"},"modified":"2025-06-10T20:11:06","modified_gmt":"2025-06-10T18:11:06","slug":"paw-tip-05-painting-as-transformation-in-private-gallery-exhibitions","status":"publish","type":"post","link":"https:\/\/pragueartweek.cz\/en\/news\/paw-tip-05-painting-as-transformation-in-private-gallery-exhibitions\/","title":{"rendered":"PAW TIP #05: PAINTING AS TRANSFORMATION in Private Gallery Exhibitions"},"content":{"rendered":"<p data-start=\"1077\" data-end=\"1853\">Until June 19, <a href=\"https:\/\/www.instagram.com\/c12.artgallery\/\" target=\"_blank\" rel=\"noopener\">C12 Art Gallery &amp; Design Store<\/a> presents <em data-start=\"1132\" data-end=\"1141\">GEKOCHT<\/em> by Pavel Du\u0161ek, a show that ironically references his working methods \u2013 pouring, layering, and reworking form. The title, derived from the German word for \u201ccooked,\u201d reflects his interest in processes of transformation: concrete, pigment, and form are blended in objects that lie at the intersection of painting and sculpture. Du\u0161ek draws from the structures of everyday environments, abstracting and reshaping them into visually unsettling configurations that disrupt the viewer\u2019s sense of reality. Whether through concrete reliefs, experimental painting, or other material-based experiments, Du\u0161ek demonstrates that cooking \u2013 both literally and metaphorically \u2013 is an inseparable part of his artistic practice.<\/p>\n<p data-start=\"1855\" data-end=\"2521\"><em data-start=\"1855\" data-end=\"1861\">Cell<\/em> by David Kr\u0148ansk\u00fd, on view at the newly opened <a href=\"https:\/\/clauda.cz\/cs\/news\/david_krnasnky-cell_cz\/\" target=\"_blank\" rel=\"noopener\">Clauda Gallery<\/a>, was created in collaboration with curator Andrew Wilson. These minimalist paintings work with elements of incompleteness, decay, and geometric restraint. The \u201ccell\u201d plays a central role \u2013 understood as a recurring structure across different scales: in the body, the city, and society. Kr\u0148ansk\u00fd focuses on moments when continuity collapses, translating them visually into subtly disrupted surfaces and shapes. His work invites viewers to read catastrophe not only as an end but also as the beginning of a new rhythm, new relationships, and new patterns. The exhibition runs until June 27.<\/p>\n<p data-start=\"2523\" data-end=\"3079\" data-is-last-node=\"\" data-is-only-node=\"\">Maty\u00e1\u0161 Mal\u00e1\u010d will present his solo exhibition <em data-start=\"2569\" data-end=\"2598\">The Romantics Were Prompted<\/em> from June 12 to July 26, 2025 at <a href=\"http:\/\/polanskygallery.com\/exhibitions\/the-romantics-were-prompted\" target=\"_blank\" rel=\"noopener\">Polansky Gallery<\/a>. Curated by Noemi Pukr\u00e1bkov\u00e1, the exhibition will feature an entirely new series of paintings that further develop Mal\u00e1\u010d\u2019s ongoing exploration of visual perception in both digital and natural worlds. Transmutation, blending, and the ephemerality of cultural codes (truth, authenticity, illusion) form the exhibition\u2019s thematic core, continuing Mal\u00e1\u010d\u2019s signature sensitivity to the shifting nature of reality. The opening takes place on June 12, 2025.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Until June 19, C12 Art Gallery &amp; Design Store presents GEKOCHT by Pavel Du\u0161ek, a show that ironically references his working methods \u2013 pouring, layering, and reworking form. The title, derived from the German word for \u201ccooked,\u201d reflects his interest in processes of transformation: concrete, pigment, and form are blended in objects that lie at&#8230; <a class=\"view-article\" href=\"https:\/\/pragueartweek.cz\/en\/news\/paw-tip-05-painting-as-transformation-in-private-gallery-exhibitions\/\">View Article<\/a><\/p>\n","protected":false},"author":6,"featured_media":9369,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[282,2],"tags":[],"class_list":["post-9372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-uncategorized","wpautop"],"acf":{"photo_gallery":{"prispevek_galerie":[[{"id":9359,"title":"ATM07229","caption":"","full_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/06\/ATM07229-scaled.jpg","thumbnail_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/06\/ATM07229-450x300.jpg","large_srcset":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/06\/ATM07229-1800x1200.jpg 1800w, https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/06\/ATM07229-900x600.jpg 900w, https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/06\/ATM07229-450x300.jpg 450w, 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