{"id":9634,"date":"2025-07-31T14:50:44","date_gmt":"2025-07-31T12:50:44","guid":{"rendered":"https:\/\/pragueartweek.cz\/?p=9634"},"modified":"2025-07-31T15:01:09","modified_gmt":"2025-07-31T13:01:09","slug":"paw-tip-07-visit-exhibitions-in-prague-7","status":"publish","type":"post","link":"https:\/\/pragueartweek.cz\/en\/news\/paw-tip-07-visit-exhibitions-in-prague-7\/","title":{"rendered":"PAW TIP #07: Visit Exhibitions in Prague 7"},"content":{"rendered":"<p data-start=\"570\" data-end=\"1467\"><a href=\"https:\/\/www.ngprague.cz\/udalost\/4230\/mlcici-jaro-umeni-a-priroda-1930-1970\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"570\" data-end=\"613\">Silent Spring: Art and Nature 1930\u20131970<\/strong><\/a><br data-start=\"613\" data-end=\"616\">This extensive exhibition project at the Trade Fair Palace of the National Gallery focuses on the transformation of the relationship to nature in Czechoslovak and Central European art between the 1930s and the period of Normalization. The core of the exhibition is sculpture, especially the phenomenon of organic abstraction\u2014a formal language shaped between Surrealism and postwar sculpture. The exhibition addresses artistic responses to industrial modernity, loss of balance, and later environmental upheavals, symbolized by Rachel Carson\u2019s book <em data-start=\"1164\" data-end=\"1179\">Silent Spring<\/em>, which gave the exhibition its name. The curatorial concept links an overview of nearly 100 works from the National Gallery\u2019s collections and other European institutions with interventions by contemporary female artists. The past thus becomes a medium for reflecting contemporary issues.<\/p>\n<p data-start=\"1469\" data-end=\"2358\"><a href=\"https:\/\/www.boldgallery.art\/exhibitions\/53\/overview\/\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"1469\" data-end=\"1522\">UPDATE \u2013 Selection of the Contemporary Generation<\/strong><\/a><br data-start=\"1522\" data-end=\"1525\">Glorie Grunwaldov\u00e1, Kl\u00e1ra Korbelov\u00e1, Roman Ko\u0161\u0165\u00e1l, Josef Kuku\u010dka, Tom\u00e1\u0161 Ku\u010dera, Lucie Pouchov\u00e1, S\u00e1ra Soualmia, Ludmila Sta\u0148kov\u00e1, Nat\u00e1lie Ryz\u00e1The UPDATE exhibition at BOLD Gallery showcases a selection of the youngest generation of artists bringing new approaches, formal language, and themes resonating with today\u2019s cultural and technological context. The title refers to the concept of updating\u2014a process common in both software and personal transformations\u2014and is applied here to the contemporary art scene. Curated by Radek Wohlmuth, the show presents nine artists whose work, despite its early stage, is exceptionally articulate. The exhibition acts as a probe into the visual thinking of the emerging generation: radically subjective, mutable, sensitive to the body, technology, and everyday life, which becomes their medium.<\/p>\n<p data-start=\"2360\" data-end=\"3337\"><a href=\"https:\/\/www.artmap.cz\/klaudia-figura-jachym-simek-exposition-dump\/\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"2360\" data-end=\"2411\">Exposition Dump \u2013 Klaudia Figura &amp; J\u00e1chym \u0160imek<\/strong><\/a><br data-start=\"2411\" data-end=\"2414\">In the Hole\u0161ovice Shaft gallery, Klaudia Figura and J\u00e1chym \u0160imek jointly stage an exhibition as a narrative mechanism that overloads, disintegrates, and recomposes itself. Curated by Tina Polia\u010dkov\u00e1 and Lum\u00edr Nykl, the exhibition\u2019s title references the term \u201cexposition dump,\u201d describing overwhelming moments of exposition in fictional worlds\u2014and it transfers this logic into the gallery space. Their works combine the logic of dreams with an attempt to grasp fragmented reality through pictorial and object forms. \u0160imek creates relief scenographies that tell stories without linear sequence, possessing their own enclosed order; Figura\u2019s paintings and objects reflect on social dynamics and cultural changes. Together, their works form a space where numerous stimuli, unexpected meanings, and dense associations function as a gradual uncovering of events that have already occurred. The exhibition is open until August 27.<\/p>\n<p data-start=\"3339\" data-end=\"4152\" data-is-last-node=\"\" data-is-only-node=\"\"><a href=\"https:\/\/www.artmap.cz\/a-b-c-a\/\" target=\"_blank\" rel=\"noopener\"><strong data-start=\"3339\" data-end=\"3401\">a-b-c-a \u2013 Madelen Isa Lindgren, Jan Bra\u017eina, Ale\u0161 Zapletal<\/strong><\/a><br data-start=\"3401\" data-end=\"3404\">The <em>a-b-c-a<\/em> exhibition at Berlinskej model gallery, curated by Karol\u00edna Volesk\u00e1, is composed as a dynamic feedback system\u2014loops that collect, modify, and retransmit materials, signals, and meanings. Madelen Isa Lindgren, Jan Bra\u017eina, and Ale\u0161 Zapletal act as sensory fields where repetition becomes a space for change. Lindgren\u2019s metal objects recall arrested growth or organic mechanics; Bra\u017eina\u2019s textile layers rewrite bodily memory through pins and recycled fabrics; while Zapletal\u2019s drawings oscillate between cosmogram and algorithm. The exhibition explores error as a productive disruption, loops as a method of cognition, and material as a sensitive carrier of mutable consciousness. Visits are possible by prior arrangement until August 8.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Silent Spring: Art and Nature 1930\u20131970This extensive exhibition project at the Trade Fair Palace of the National Gallery focuses on the transformation of the relationship to nature in Czechoslovak and Central European art between the 1930s and the period of Normalization. The core of the exhibition is sculpture, especially the phenomenon of organic abstraction\u2014a formal&#8230; <a class=\"view-article\" href=\"https:\/\/pragueartweek.cz\/en\/news\/paw-tip-07-visit-exhibitions-in-prague-7\/\">View Article<\/a><\/p>\n","protected":false},"author":6,"featured_media":9630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[282],"tags":[],"class_list":["post-9634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","wpautop"],"acf":{"photo_gallery":{"prispevek_galerie":[[{"id":9622,"title":"d9ad1709074ee99a35709f0c7f0b65e6c0387994","caption":"","full_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/07\/d9ad1709074ee99a35709f0c7f0b65e6c0387994.jpeg","thumbnail_image_url":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/07\/d9ad1709074ee99a35709f0c7f0b65e6c0387994-231x330.jpeg","large_srcset":"https:\/\/pragueartweek.cz\/wp-content\/uploads\/2025\/07\/d9ad1709074ee99a35709f0c7f0b65e6c0387994.jpeg 600w, 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